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Modern Reel Review

The Synth-Pop Duo's Musical Force Dave Ball Dies, Aged 66

Dave Ball and Marc Almond of Soft Cell
Dave Ball (on the left) established Soft Cell with Marc Almond at Leeds in 1977

Dave Ball, a key member of the pioneering 1980s synth-pop band Soft Cell, has passed away at the age of 66.

Together with singer Marc Almond, the team scored a global success with their cover of Gloria Jones' Tainted Love in 1984, and their debut album Non-Stop Erotic Cabaret is considered a seminal work of synth-pop.

He subsequently founded the pioneering electronic act The Grid, who secured chart success with 1994's Swamp Thing.

Ball died peacefully in his rest at his residence in London on Wednesday 22 October, just weeks after playing a headline show with Soft Cell at the Rewind Festival in the Thames-side town.

Recent Health Challenges

At that performance, Ball appeared in a wheelchair, as he had for the last two years, after a spate of health issues.

"I managed to damage myself significantly," he commented in 2023. "I broke lower vertebrae in my back and fractured about five ribs and broke my wrist."

Following contracting a lung infection and developing blood poisoning, he was put in an medically-induced sleep and stayed in the hospital for seven months.

However, he had been in "high spirits mentally" during the warmer months, as he was developing a new album with Almond, called Danceteria, which is set for release next year.

"He was focused and so happy with the latest project that we actually finished only a few days ago," stated the singer in a heartfelt message.
"It's truly heartbreaking as next year was completely planned to be such an uplifting year for him, and I take some solace from the knowledge that he listened to the completed album and felt that it was a masterpiece."
Soft Cell performing in the early 1980s
The duo were at the vanguard of the electronic music scene in the early 1980s

Heartfelt Messages

Almond described his collaborator as "an exceptionally talented creative mastermind", adding: "He was the heart and soul of Soft Cell and I'm extremely pleased of our legacy.

"Thank you Dave for being an immense part of my existence and for the songs you created with me. I wouldn't be where I am without you."

Richard Norris from The Grid, shared his condolences, recalling Ball's "endless laughter" and "steadfast support".

"Being in a duo with someone is different from being in a group, the connection is very tight," he continued.
"That's how it was with us. We experienced so many remarkable, extraordinary, memorable experiences as a team. Many thanks, Dave."
Dave Ball in 2018
Dave Ball, photographed at BBC Radio 2 in recent years

Early Life

Brought into the world into a one-parent family in Chester in 1959, Ball was put up for adoption when he was 18 months of age.

He was raised in Blackpool with adoptive parents his caregivers, who altered his given name from his birth name to his adopted name, together with his sibling Susan, who was similarly welcomed.

He met Almond at an art college in the late 70s, where they were both studying fine arts. Inspired by a shared love of Northern Soul, they formed Soft Cell the very year, and promptly produced an EP.

Musical Partnership

The pair were an unusual combination: Ball was the quiet musician, bent over his keyboard, while Almond was a charismatic performer, all sparkle and makeup; but they attained a unique musical alchemy.

Ball had developed a fascination with synthesizers after watching the band Kraftwerk appear on BBC science show a popular series, and started to combine moody electronic sounds to the catchy tunes Almond was composing.

Their signature song became the UK's second most popular song of the early 80s, shifting 21 million copies worldwide. Together with successful tracks by other artists, Human League and electronic acts, it helped paved the way for the synth-pop sound of the 80s.

The track was also included on their full-length debut, their initial LP, which spawned two additional high-charting hits: Bedsitter and Say Hello, Wave Goodbye.

They continued the record up with the separate release, Torch, which peaked at the second position in the following year.

Soft Cell in the studio
The pair were developing fresh songs right up until Ball's passing

Professional Journey

Success had its benefits. "I enjoyed being able to afford my initial property, having financial security and exploring, which makes me sound like a Miss World," Ball recently told with a publication.

But it also caused challenges. "Sudden riches allowed we could afford newfound drugs to relieve the boredom" of press appearances and television shows, Ball explained.

"I realize that's a common saying, but it's a cliché for a valid cause, because it works for so many bands."

During the hedonistic lifestyle, the duo were also drifting apart, but they managed to produce a second classic album - the wayward, tense and fittingly named The Art Of Falling Apart.

They released another LP, 1984's This Last Night In Sodom, before dissolving the band to focus on individual endeavors.

Almond proceeded to have a prosperous solo career, featuring the chart-topping single Something's Got A Hold Of My Heart; while Ball created The Grid, who mixed acid house with ambient pop over a long-lasting partnership.

Reunions and Final Projects

Soft Cell reunited in the early 2000s, releasing the Top 40 record Cruelty Without Beauty.

After a further hiatus, they reappeared in recent years, releasing the original singles Northern Lights and Guilty (Cos I Say You Are) before performing what was intended to be a farewell show at the large venue on 30 September, 2018.

However, they stayed active, recording their latest project, Happiness Not Included, during the 2020 restrictions.

Ball recently characterized the band's upcoming release as a tribute to the NYC nightlife they visited while recording their initial records.

He noted that his period in medical care had influenced the band's sound.

"I had unusual memories when I was coming and going of hospital because I was on morphine," he explained to a music magazine.
"The new songs are a electronic representation of the noises in my head from those days.
"In parallel, it's about the times we had in the 80s."

The last versions were finished only days before Ball died. It is scheduled for release in Spring 2026.

NM
By

Nathaniel Montgomery

Elena Vance is a freelance film critic and screenwriter based in London, sharing her passion for cinema through detailed analysis.

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